The 2007 movie books were a big disappointment, I agree. Often when I see the comic book in the TMNT movie video game, the one that comes into view when you get to another level, I often find myself thinking, "That's the book we should have had!" But even that book has some ducky-wucky lips on the Turtles. Is it because the 'pencils' were really cgi to begin with, and not rendered by hand on paper? Me wonders.
Anyway, getting back to Lawson.....
Years ago, I wrote a letter to Jim.....and he apparently never forgot it, because every time we've met since then, he's made a reference to it.
Jokingly, but nonetheless, he brings it up.
Unfortunately, visits to Mirage are total mindblowers for any fan. Any of you who have been there know what I'm talking about. It's really hard to focus because of all the eyecandy art around the place.
Since I'm usually with others, I have never been able to have a private moment with him, or the presence ot mind, to ask him pointblank why he adopted the cubic artstyle. But I have a hunch why he went that route. And that is....
Given the lifestyle that he has,[wife, kids, motorbiking, etc.] and the personality that he is,[big play ethic, very sociable, lively thinker,etc.] that was the only way he could bang out the books on a regular basis.
And the books have come out a lot more regularly. You don't have to wait 2 or 3 months for the next one.
It has been argued that there are other people in the industry that turn out more visually appealing work on a monthly basis.....but hey......they aren't Jim. I don't think it's really that Jim doesn't care about what he's doing. He does. Criticism does hit home. But it's probably more that this is the only way he can get everything done in his life, for the time he has to do it all.
Looking back on the books, much of his early stuff in Tales, was pretty good really. It kind of goes back and forth a little bit till we get to 1993. We have the City at War books...and then in October of '93 we go to full color.....and that's where we all go sliding down the hill with these books. There's your cubism for real.
I don't know. I suppose now that I've gone back and looked at this stuff, and made some mental notes, I suppose the next time I see him I might remember to ask some questions.....or, if one of you sees him before then, you could ask and get some answers. But I'm sure he did what he did because he felt that was the only way he could do everything being demanded of him. Not because he was some kind of dodgy slacker or whatever.
(Not that anyone said that, Jim.)
One thing I do love about Mirage and the guys there, is that it's just a group of friends, with mutual interests, that get together, and when they're together, some neat stuff comes out of their heads and onto paper. They are all laidback, thought provoking, and fun to be around.
For the record:
I've met other artists, from other studios. But as a whole, the guys at Mirage, past and present, have always seemed to me, to be more down to earth and 'real'. No putting on airs. No "we are inaccessible" vibes. They're all thinkers, well read, and a hell of lot of fun.
So given the nature of the place where they work, and who they are as individuals, I'm afraid that even when I'm disappointed by an issue, I find myself forgiving them.......eventually. Like my own family.
